David Bailey Sculpture

  London 8th September – 16th October, 2010 Pangolin London will hold the first ever exhibition of sculpture by David Bailey. Renowned as one of the world’s most illustrious photographers, Bailey’s forthcoming exhibition will shock viewers as he presents a dark and rugged collection of cast silver and bronze sculptures alongside a body of new photographs, which will underline the stark contrast between the two mediums and emphasise his versatility as an artist. The show will explore the idea that image-makers should not be confined to one discipline, as Bailey insists, “I’m not saying I’m a sculptor, I just make images. I don’t take photographs, I make them. And now I’m making something else.”

Pangolin London is one of London’s few galleries purely dedicated to exhibiting sculpture. Its close affiliation with Europe’s largest foundry, Pangolin Editions, means that Pangolin London is uniquely positioned to showcase the intimate relationship between Art and Craft and to explore in detail the magic of iconic objects made in our time. As Europe’s leading foundry, Pangolin Editions attracts an international clientele of contemporary sculptors. This provides the perfect symbiosis to advance sculpture-making with the help of advancing technologies alongside ancient traditional skills. From a miniature skull cast in silver to a five foot bronze, Bailey’s sculptures are distinct in appearance yet similar in purpose as they serve to remind us of our own mortality.

 

Inspired by Picasso, it is also clear from his work that Bailey has been considerably influenced by the cult-like imagery of tribal art. This primal simplicity has shaped Bailey’s signature style from his earliest to most recent creations, albeit producing quite different results. Bailey’s sculptures, raw yet glinting with a touch of humour, awakens our basic instincts of fear, sexual desire and the inevitable onslaught of death. (bailey)

A Love for Vintage

 

The month dedicated to fashion has started September is for everyone in the know, the month where new trends unveils and the biggest shows in the world crown new designers or confirm an established one.


Milan, Paris, London and New York host the most important Fashion Weeks and where press, buyers, models, designers and fashionistas all over the world meet to discover, to see, to show and to show off. During this month, independently from the big fashion dates, several other events take place, all with a mutual denominator, FASHION.

 

In London the V&A has dedicated its last Friday Late to the glamour of Hollywood and that night at the museum it has been possible to see several people attending the event wearing vintage dresses, hairdo and make up from the 50’s. September has started instead with a homage to a bygone era, that one of the cocktail lounge, when the cocktail dress was playing a very important part in lots of women’s lives. Linda Bee, a wellknown dealer at Grays in Davies Mews, specialized in vintage dresses and accessories, has given life to a pop up cocktail lounge where beautiful dresses, jewellery, clutch bags are displayed together with furniture, glasses centerpieces all original from the 20’s up to the 70’s.

 

In her incredible shop it is possible to find that particular dress or piece of jewellery by Trifari and even make up in their nostalgic boxes. Now that lots of entertainment companies are throwing parties with a theme (20’s, cruise lounges) the need to find the perfect outfit it has become the last trend and at Linda’s it’s a treasure trove for anything vintage. The exhibition will last for the next three weeks.

For who loves shoes instead, a great occasion to indulge is during Vogue Fashion Night at Liberty on the 8th of September when the opening of Manolo Blanik concession , the shoes made famous all over the world by SJP in Sex and the City, will start to trade at the famous department store.

In this occasion Manolo and Yasmin Le Bon will attend the evening. And after writing about fashion from the past and from the present watch this space in the next ten days with the start of London Fashion Week, where we will see the future, Spring/ Summer 2011.

To be a Londoner today. Or maybe not to be, that’s the question.

“I’m a Londoner” is extremely impressive, performing at The Courtyard Theatre, Old Street, until the next 5th September.

The set is the real London street life. The format is a succession of characters with as much dialogues. The actor’s performances are very good. A great script posing the question what a Londoner is today. Each character represents an icon you meet in your everyday life. “I’m a Londoner” must be seen.

The show is built on a lineup of assorted characters wisely chosen, representing the variegated mankind of London. It is a sequence of seven characters, each one of them with a dedicated monologue.

You maybe presume to know London, most probably you don’t.

 “I’m a Londoner was conceived in 2009. The idea came from when I was very sick and was watching television. There was nothing much interesting on television or anything that represents diversity and culture which is one of the much that make up of London. So I decided I want to create characters, the ones that I come across on the street. They are daily basis for us, but the connections are not huge connections, they still have a small impact when you pass by” said director Saima Duhare, also producer for Palladini Productions.

The performances of the actors are remarkable. The cast does a great job, often interacting with the public, creating touching atmospheres and comical moments or a bittersweet joke. The actors were chosen in an informal way, says Saima Duhare: “I wanted to find a person not an actor. I want someone who can I identify with, who can relate with it. I don’t usually do auditions. My auditions are people coming, we chat and we talk about the feel and to understand the personality. And if the person will be able to play that part”.

With a great script – writers Sam Bevitt, Roberto Trippini and Micheal Clarkson – above all “I’m a Londoner” poses some important questions about what it is to be a Londoner, targeting those stereotypes of our city everyday life.

Nowadays London is a blend of cultures and people, often countering one to each other, subject to continuous transformation. A town where it is very difficult to find someone who speaks English. A place of loneliness as a common habit, even if you are not single. The recent political issues, the credit crunch and the war, have changed something in town. “I’m a Londoner” reflects all these particular aspects by telling loser stories and not the one of the winners.

The show can be described through each single character and relative monologue.

The first character, in fact, is an Asian girl – actress Suni La – who distributes the Evening Standard, not the job she dreamed of when coming to London. She almost committed suicide once, to ease her pain, probably. People were laughing at her on the Tube platform and so did her boyfriend when she told him. She is alone. But she must be happy to keep going on with her job, the only chance to survive she has.

The second monologue is an ex- Army homeless – actor David Palliser. Once a hero, now on heroine, he is a very angry one, used to have a glittering life, money and beautiful girls. After he was discharged at work had no money. He is alone now and sleeps roughly anywhere. He says:”That’s why I’m on drug. Forget who I am for a sec, become someone else, become powerful”.

The third character is a religious fanatic – actor Tom Bonington – who shouts in a megaphone: “Be a winner/ not a sinner”. He is a Christian reborn, addicted to Bible. Ex- City worker, one time he had a beautiful apartment, lots of money, gorgeous girls. But then he became HIV positive. Glittering life is finished. He is alone now. So he turned into a religious extremist. To save his soul, perhaps having seen his body cannot be saved anymore.

The fourth monologue – actress Sanita Simms – portrays a fashionista. She goes around shouting continuously “Yah” or “Darling” into her mobile, a sort of extension of her hand. “Fashion is all that I care” she states. She feels superior to everyone and to everything she cannot understand, disgusted by using a bus. She goes to all the posh places downtown but is totally alone, living a false life of fake friends.

The fifth character – actor Andrew Ward – is a Belarusian burger seller. “Everybody in London shits gold” someone tricked him in his country. He has been deceived not only with opportunities, work, and money but with the promise of a lifestyle upgrade. Now he must pay back a lot of money or his family is endangered. He works 19 hours per day selling burgers to hateful customers. When the council takes away his grill, he looks for help but can only ask to his slave- drivers.

The sixth monologue – actress Velile Tshabalala – describes a drunken Nigerian socialite. She is the daughter of an ambassador. Her mum once told her she is born for a mistake. She lives in a world of malicious gossip, champagne parties and has no friends. “God gave me a friend once, my grandfather” she says. She would like to drink a beer in Regent’s Park and work in pub to make for it, shopping in Primark and living in Brixton. But she cannot because of her social status.

Last character is a washed up Italian piano player – Luca Zizzari – heading to the airport to go back home. In three years of London life nothing is working well. His first lesson in town was to learn the hard way. He has a strong reliance on his mother, who doesn’t accept him to be an ordinary person. He is in love with Clarissa: “The only Londoner I met in three years, because here everyone is coming from everywhere but London”. He asked her to follow him. She replied to wait for her at the airport, maybe or maybe not, coming. With a bitter “Ciao London” he closes the show.

“These characters are very important to London City. We overlook just because they don’t wear the suit and just because they don’t fit into a social environment. But we perceive they still have great stories to tell” said Saima Duhare.


Palladini Productions presents

 

I’M A

LONDONER

 

Following the success of the

Scoop Theatre Festival at

MoreLondon, I’M A LONDONER

returns to The Courtyard in

Hoxton Square

 

Tue 31st August – Sun 5th September at

7.30pm nightly – £12/10 conc.

The Courtyard,

Bowling Green Walk

40 Pitfield Street,

London,

N1 6EU

Tickets: 0844 477 1000

Palladini Productions presents a performance of

seven characters embroiled in London life. So you think you

 

 

ALL MY SONS:David Suchet & Zoe Wanamaker star in Arthur Miller’s classic tale of love

 ALL MY SONS  David Suchet  – Zoe Wanamake  at the APOLLO THEATRE 31,

David Suchet & Zoe Wanamaker star in Arthur Miller’s classic tale of love, power & greed. At the Apollo Theatre until Sept 11th

 

All My Sons is a 1947 play by Arthur Miller.This is a stunning production of a modern classic and one that those who see it will never forget.Daily Telegraph

All My Sons, the first great success of Arthur Miller’s supremely influential career – is a compelling story of love, guilt and the corrupting power of greed.

Joe Keller (David Suchet) is alleged to have supplied World War II fighter planes with defective engines, leading to the deaths of innocent pilots – a crime for which his business partner took the fall. One of Keller’s sons, himself a pilot, is thought to have been killed in action.

But his mother (Zoe Wanamaker) can’t accept his death and equally, can’t accept that her dead son’s fiancée has transferred her affections to her other son.

The confrontations that ensue lead to the uncovering of a shameful family secret…

Dates 

 

APOLLO THEATRE

31, Shaftesbury Avenue, London, W1V 7HD

 

Opens: 9th May 2010

 

Closes: 2nd October 2010

Run time: Two hours 15 minutes with a 15 minute interval

Show Times

  Mon Tue Wed Thu Fri Sat Sun

Matinee 2:30 2:30

Evening 7:30 7:30 7:30 7:30 7:30 7:30

APOLLO THEATRE 31, Shaftesbury Avenue, London, W1V 7HD

 

 

Creators
Written by Arthur Miller
Directed by Howard Davies
Designer, William Dudley 
Lighting, Mark Henderson 
Music, Dominic Muldowney 
Sound, Paul Groothuis

Cast
David Suchet as Joe Keller
Zoe Wanamaker as Mrs Keller
Stephen Campbell Moore as Chris Keller
Jemima Rooper 
Daniel Lapaine
Matt Addis 
Stephen Campbell Moore 
Olivia Darnley 
Steven Elder 
Claire Hackett 
Christy Meyer 
Tom Vaughan-Lawlor 
Ted Allpress 
Tom Howard 
Gabriel Steele

 

 

 

FRANCIS, THE HOLY JESTER by Dario FO With the support of the Italian Cultural Institute

 


Mario Pirovano brings to London for one night only his Edinburgh Festival acclaimed one-man performance of Nobel Prize-winner Dario Fo’s work on the life of Francis of Assisi. 

A Beautiful Happening with PerenoWorld.com

“This production is the most entertaining and funny history lesson you could hope to see, given a captivating performance by the charismatic Pirovano.” British Theatre Guide

 “Veteran Dario Fo associate Mario Pirovano delivers Fo’s characteristically folksy monologues about Francis of Assisi with a verve and informality that closely resemble Fo’s own performance style.” The Stage “Pirovano’s performance, and his ability are astounding. I recommend it wholeheartedly and completely.”Edinburgh Review

“Imagine a cross between Bertolt Brecht and Lenny Bruce, and you may begin to have an idea of the scope of Fo’s anarchic wit.” New York Times

Francis, The Holy Jester provides an intimate, insightful and often hilarious portrait of Saint Francis of Assisi, and gives a delightful slice of life in medieval Italy, full of relevance for our lives today. A tale that brings together courtiers, Popes, Cardinals, generals and peasants, saints and sinners, and Jesus himself in a great pageant of characters brought to life through a remarkable performance that sparks the imagination and delights the soul. 

Dario Fo was awarded the Nobel Prize for Literature in 1997
His works have been published and performed in over 50 countries and in more than 30 languages, and include Mistero Buffo and Accidental Death of an Anarchist

Mario Pirovano performed the play at the 2009 Edinburgh Festival to great critical acclaim, and he has now returned from his home in Perugia for a tour of the UK.

The St James’s Church performance will be the only London night of the tour, and the stunning interior and acoustics of this very special building will assure an unforgettable night of theatre. 

http://mariopirovano.it/
 
The play has also been transcribed into a novella which is now available from Beautiful Books at £8.99. 
To order your copy, visit 
http://www.beautifulbooks.co.uk/ , or you will also be able to purchase copies signed by Mario Pirovano on the night.

Tickets: £15 available from: St James’s Church, Piccadilly, London, W1J 9LL 
http://www.beautiful-books.co.uk/ or email:mailto:francis@beautiful-books.co.uk or telephone: Sara on 0207 734 4448

 

 

Information: Tickets: £15 Concession £10 until 15 August

 

 

 

 

A Journey through Sculptural Budapest

125 Charing Cross Road WC2H 0EW Private View: Monday 27th September, 6pm till 8.30pm Lang’s exhibition, Monumental Misconceptions, is an irreverent examination of the role of the object within the social conscious and demonstrates how art, like history, is fluid and open to interpretation.
The fine line between sculpture as an object and as a form of socio-historical interpretation is explored by Liane Lang in her new exhibition Monumental Misconceptions.  This award-winning artist challenges society’s conventional understanding of historical monuments by taking a contemporary perspective that re-contextualises them. Using life-size models and props intermingled with more traditional bronze or steel

 

 

sculpturesLang creates unnerving, humorous and thought-provoking installations. This dichotomy of contexts and mediums is further emphasised by capturing these alter-realities using new media such as photography, film and pre-cinematic zoetropes.
Lang photographed sculptures in several other sites around the city of Budapest during her residency. Included in her forthcoming exhibition are images from the 19th century Kerepeszi cemetery (which also contains many Soviet era graves) and from the running track at Nepstadion. This all but forgotten site of Hungary’s sporting history is surrounded by groups of giant steel plated figures representing sportsmen and soldiers. In the video work The Track Lang animates these figures, apparently frozen in the act of movement, drawing out their strangely ambiguous message of sport and camaraderie, militarism and propaganda. (image)

The work of Sir Sidney Nolan

 

London W1S 4JD 35 on September 8 Albemarle Street, Agnew’s Gallery opens its new premises with an exhibition  dedicated to the work of Sir Sidney Nolan (1917-1992), the internationally acclaimed Australian artist who was hailed by the art historian, Kenneth Clark, as one of the leading artists of the twentieth century.
Born in Melbourne of Irish stock, Nolan was largely self-taught as an artist, having worked as a tram conductor, dish washer and display designer in a hat factory before turning to painting as a career. Aged 21, he attracted the notice of the arts patrons John and Sunday Reed, whose house, near the Melbourne suburb of Heidelberg, was frequented by a group of young artists who have become known as ‘The Angry Penguins’ after a contemporary journal of that title. Nolan married in 1938 and later entered a ménage-a-trois with the Reeds. Having been conscripted into the army in 1942, he deserted a year later and had to live under an assumed name. In 1946 he began a series of paintings of the infamous outlaw and bush Ranger, Ned Kelly. The impact of the paintings, now considered icons of modern art, was to turn Nolan into the ‘enfant terrible’ of Australian art, setting him on a path to international recognition. (burke, liverbank)

 

Giacinto Palmieri is trying to be Italian at the Edinburgh Fringe Festival

 ItaloEuropeo has met Giacinto Palmieri, italian stand up comedian based in London.

It is now a couple of years that Giacinto (Giac), as he prefers to be called, has treaded the boards of several venues, from the small pub up to the prestigeous Hackney Empire where he arrived at the Final.

Italian born from Milan and now english citizen by choice, Giac talks in his show about language differences from italian to english, the struggle experienced when learning the language without missing to give a stint of irony regarding some italian politicians and how foreigners see Italians sometimes closed in stereotypes.

This year Giac is going to attend the whole Edinburgh Festival as a professional, in a very wellknown venue, a leap of faith because the commitment to stay 25 days in Scotland, charging the entrance to his show is a big step and an ambitious one. But this highlights only how confident this very pleasant comedian is and the positive responses that he has received during his previews for this great event. Following him to several of his gigs it has been possible to notice audience reactions,  very sincere laughs and everyone  having a great time.

In Edinburgh Giacinto will attend a press day at the Italian Cultural Insitute based in the scottish capital where other italian performers ranging from theatre and music will meet the accredited press and then from the 5th of August it will be possible to attend one of his shows at C Soco – Venue 348 Edinburgh until the 30th of August at 17.30.

Before one of his gig ItaloEuropeo could interview Giacinto Palmieri:

How you had the inspiration to become a stand up comedian?

I like to write and once I’ve written something quite funny about Christmas parties. I’ve sent an email to a friend of mine but I made a mistake and I’ve sent it to the MD of my company instead He liked it and he read it out during our Christmas party without mentioning who the author was. I’ve seen people laughing, having a great time so it started from there and I’ve start writing about my experiences when I moved to London.

You are on stage to make people laugh, but have you ever laughed at something from the audience?

Well if an actor laughs, the audience doesn’t. But once a lady after one of my shows asked me if my very thick italian accent was fake.I find it very funny.

Do you find differences between italian comedians and english comedians?

Yes italian comedians are more into acting using a character, while english comedians talk about personal life, I’m more in line with this style of comedy.

Comedy Club’s first row is generally empty because the audience is “ scared” to be picked up by the comedians on stage. You don’t interact with the people much and you are not very aggressive are you?

No I haven’t got much interaction with my audience apart from asking where they come from, because this is part of my show given that being italian  I look for other foreigners among my public and from there the show carries on.

Giac_in_a_box_tryingtobeItalian.jpgA comedian is generally thought to be a very serious and reserved  person. What about you?

I’m not the soul of the party but I’m not reserved either. Generally comedy is used to compensate shyness and in some situation autism. If I’m not wrong NHS funded some stand up comedy courses as a therapy to help people realize that they are not alone and to aid mental health.

You are debuting at the Edinburgh Fringe Festival as a professional comedian. Worries? Hopes?

Last year I was in Edinburgh but at the free venues, this year it is a big challenge, I have to promote myself, work hard because every member of the public at my show is important. It’s a challenge against myself, and I’m going ready to put as much effort as I can. Edinburgh Festival has got something like 2500 shows  and the competition is very high.

 

In your show you “explain” english grammar to the english people . How this thing has been viewed by your audience?

They are fine with it, I don’t come patronizing, I make jokes explaining my difficulties when I’ve started learning english, so to “ teach” grammar to my public become something I have to say, in order to carry on with my show. Joking become an advantage rather than  to be arrogant.

 

And with these few questions, answered by Giacinto Palmieri, ItaloEuropeo wishes him good luck in his  exciting adventure .

For more informations about the festival:

http://www.edfringe.com/whats-on

 

 

 

 

 

London Mayor Boris Johnson has officially launched the bike hire scheme

 People can hire the bikes 24 hours a day from 400 docking stations in nine boroughs and several Royal Parks in central London. The service is available in Camden, Hackney, Lambeth, Islington, Kensington and Chelsea, Southwark, Tower Hamlets, Westminster, City of London and the Royal Parks.

The Keys cost £3 then the first 30 minutes are free.

 

It will then cost another £1 for up to an hour, £4 for 90 minutes, £6 for two hours and £50 for 24 hours.

“My crusade for the capital to become the greatest big cycling city in the world has taken a gigantic pedal-powered push forwards” he said.

The bikes,  producted in Canada in a factory in Bagotville, weight 23 kg and they are formed by three-speed gears, a bell, a basket and dynamo-powered lights. The design has been thought to be practical with adjustable saddle.

The project will also include 12 new cycle "superhighways".

Transport for London  expects that the hire scheme will reach an extra 40,000 cycle trips a day. For this reason Tfl’s target consist of 6000 cycles and 400 docking stations to get in one year.

Barclays is the official  sponsorship of the scheme due to a deal among the bank and the mayor. The bank invested £25m into the project. Mr Johnson added: "Barclays are going to help us deliver the cleanest, greenest and healthiest form of public transport that London has ever seen."

The project planning implemented by Transport for London (TfL) had been expecting many issue but one in particular has been verified: "teething problems". After only  one day from its inauguration, 12000 people has signed up to the scheme but only 6000 keys are available and has been activated.

Cyclists will be able to withdraw the bikes from docking stations just with the activation.

London Assembly Green Party member Jenny Jones said: "The bikes should have locks and bigger baskets. A target date should be set for people to be able to use Oyster (travel) cards to pay for the bike hire”.

Already some anti-war demonstrators placed stickers about the conflict in  Afghanistan on the back of some bikes and others protested against the sponsorship.

Photo1:london-se1.co.uk

photo2:.boris-johnson.com

 

 


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