Sunday – Oxford vs Cambridge: the boat race

London – ( by Stefania Saba) This weekend the Thames will host is annual boat race with the giants Cambridge and Oxford. The Race is a set challenges between the Oxford University Boat Club and the Cambridge University Boat Club, also known from 2015 as the University Boat Races and the Oxford and Cambridge Boat Races.

When the most recent race was the 2016 race which took place on Sunday 27 March 2016, the history of the race retrace back to 1829. The event has been held annually since 1856, except during the First and Second World Wars. The path covers a 4.2-mile (6.8 km) stretch of the Thames in West London, from Putney to Mortlake. Members of both teams are traditionally known as blues and each boat as a “Blue Boat”, with Cambridge in light blue and Oxford dark blue.

The race will begin at noon at it will go on until the finish line, which might be reached soon. Indeed Cambridge holds the course record of 16 minutes 19 seconds set in 1998, and 82 victories ( men ) and 41 ( women ) behind them, where Oxford boasts 79, with one dead heat. The teams  will compete for the prize on Sunday 2nd April, starting from Putney Bridge. Public can watch the race for free by the river side.

The Rout of the race

Ladies will go first at 4.35 p.m. while men will follow at 5.35. Spectators will find good spots in Putney Brigde, starting point, Thames Reach, Hammersmith Bridge and Dukes Meadow. As the importance of the events touches the crowds, The sponsors of the Oxford-Cambridge boat races have announced they are donating their title sponsorship of the 2016 and 2017 editions to the event’s charity partner. Indeed The event will now be known as The Cancer Research UK Boat Races for the next two years, BNY Mellon and Newton Investment Management announced on Tuesday.

As traditional event, 300,000 people are expected to be present on the riverside this year, so we recommend to get there early in order to find a good spot.

Luca Zingaretti: The pride of getting to English people’s hearts through an Italian show

LONDONLuca Zingaretti, the Italian actor and director famous for his role as Inspector Montalbano in 1999, landed in London yesterday and is already having a busy schedule; he came to the UK to perform in both Oxford (today) and London (tomorrow) with his famous reading-monologue of “La Sirena”, also known as “Lighea”, a story written by Giuseppe Tomasi di Lampedusa, an author from Sicily who is mostly known because of his masterpiece, “Il Gattopardo”.

Zingaretti will perform at the Sheldonian Theathre, in Oxford, and in at the British Museum, in London, as part of the exhibition organized to showcase the golden era of the biggest island in the Mediterranean Sea: “Sicily: Culture and Conquest”. The exhibition, which started last April and is now about to end on August 14th will tell the – almost – untold story of Sicily’s best era, focusing on the period between the 8th and 13th century, when Sicily was conquered and influenced by the Greeks and the Normans, who left lasting marks in the island’s culture and traditions. Visitors are able to know Sicily’s diversity, prosperity and importance throughout these years and in the following centuries.

“La Sirena” is a long story by Tomasi Di Lampedusa, telling the story of two men with opposite personalities: an old retired professor and a young vital journalist. Their casual meeting in a bar, in Turin, turns into a friendship as the tale goes on: their differences are the key point of the story, since the whole narration revolves around the contrast between old and new, North and South, old age and youth, dreams and reality. The old professor has lived the majority of his life bound to the memory of his true love, a mermaid met in Augusta, Sicily; on the other hand, the young journalist lives day by day, bound to no one, enjoying whatever (and whoever) comes his way. The British Museum will be completely changed tomorrow, July 22nd, in occasion of the “Sicilian Splendour” special event, taking place from 6pm: it will be a multisensory evening celebrating the soul of Sicily, past and present – including music, drama, workshops and poetry performances. Zingaretti’s performance will be part of this event, but will not be open to the general public: in the words of one of the curators, Peter Higgs, the museum “will turn into a little Sicily”.

During the press conference held today at the Italian Cultural Institute in London, Zingaretti revealed some behind the scenes of his first “meeting” with this story, which he defined a “fairytale of friendship”, as well as some experiences related to the fame which followed his role as Montalbano. “A lady suggested it to me, more than once, persistently, and then I decided to give a chance“, he told journalists gathered at the Institute. So it was only by chance that he got to know this tale and after that, he decided to bring it to the world through the powerful mean of theathre. He has been touring for four years now but what never ceases to amaze him is his constant discovery and re-discovery of how appreciated and loved Italian culture and “bella vita” are outside of the BelPaese. “Sometimes we take many things for granted and we don’t realise how proud we must be of being Italian“, he added. Of course negative comments will always find their way to weaken one’s reputation but, in his case, good sides have always outnumbered the bad ones. That’s the case of the famous Inspector Montalbano, which is the role Luca Zingaretti is most known for. He shared a little anectode about how he found out about Montalbano’s fame outside of Italy: an English man stopped him in the middle of the street to tell him about how much he and his friends enjoyed watching the series on BBC4.

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It makes me very happy and proud to know that we were able to get to English people’s hearts through an Italian show“, he confessed. The peculiarity and the charm of the Inspector lies, in his opinion, in his being the pile of “Italianity” and in the show’s ability to portray a local reality, which is in contrast with the globalized world we live in nowadays. “He’s a simple man who just needs his country, his town and his job to be happy and feel satisfied“, Zingaretti stated. His success, though, is strictly bound to the fact he is an inspector in Italy: he probably wouldn’t be as well-known as he is, if he had worked in the UK, for example. The way Montalbano is portrayed makes him accessible to people of all ages: he
represents both nostalgia of a long-gone past, full of small local realities and a goal, an objective to reach in order to live a happier life with less fiction and more real life.

Both performances of “Lighea” are sold out: the London show at the British Museum will be watched by 500 people in total, 350 of which will be there to watch it live and it will be one hour long.