BARBARA PANETTA – Chloe’s Promise

(by Stefania Del Monte)

Barbara Panetta is the author of Chloe’s Promise, an alluring new children’s book and video initially raising funds in favour of the NHS and now supporting Momentum Children’s Charity.

Originally from Italy, Barbara is currently based in Richmond, Surrey, where she lives with her husband, two children and a golden retriever. This is not her first book: her language studies and interest in psychology drew her to write her first novel Ricordi in movimento (2015). She also curated several publications.

We are eager to find out how the idea of Chloe’s Promise was born:

It was all very sudden! – reveals Barbara – One day I was in my garden listening to one of my daughters practising the piano, when I noticed a column of ants struggling to collect a biscuit crumb that had fallen to the ground. This set my thoughts in motion and the idea for Chloe’s Promise germinated”.

Author Barbara Panetta

Once the story had been outlined, Barbara worked together with children’s psychologist Giovanna Campolo to ensure that the words used and the morals were appropriate for children of three years and above. The result is a charming, illustrative work that is sure to engage any child.

The story – she explains – is about a little ant named Chloe and her brothers and sisters. The main focus is the relationship between adults and young children, and especially the ways in which they both learn to trust and respect each other and the choices they make”.

The book is enriched by beautiful illustrations sketched by Barbara, who is not an illustrator but used her passion to produce some pretty drawings. She has used watercolour rather than digital processing, to keep it as simple as possible.

Later, graphic designer Aurelio Scalabroni intentionally added spots of colour in most of the pages, giving the impression of an unfinished work and sharing with readers the idea that nothing is perfect.

Through such illustrations and the use of simple language, children can therefore identify with the main characters, comparing themselves to hard working, determined and disciplined ants.

Chloe’s Promise aims to raise charity funds:

“Since the beginning – affirms Barbara – my intention was to support storytelling at home between parents and children during the COVID-19 crisis. I believe that at difficult times we can all contribute, in different ways. I also really wanted to help children in need, therefore all profits generated from the book are donated to a local registered charity called Momentum Children’s Charity, who is supporting children with cancer or life challenging conditions. I wish my book could bring a big smile to all those unfortunate children”.

This is both a print and a video book benefiting from the collaboration of Ben Shephard, presenter of ITV’s Good Morning Britain and Tipping Point, who proudly agreed to narrate the story, and musician Alessandro Viale, author of the soundtrack.

Viale talks enthusiastically of this special project:

It has been a lot of fun! – he says – This involved composing, selecting and performing. Because of the lockdown, I had to find creative ways to work without moving from home. This is why I ended up recording on a very ancient English Broadwood square piano made in 1815. I tended to play different pieces according to my mood and, when inspiration struck, compose something new. Therefore, I identified with the little ant Chloe and with all the feelings emerging from the story. She loves Chopin (and Tchaikovsky) but, sometimes, she just reacts to what happens by putting her hands on the piano and improvising”.

Barbara, whose daughters both play the piano and the cello since they were three years old, agrees with Viale in believing that it is very important for children to familiarise with music from an early age:

“I think music can help to express the vast amount of new emotions that a child undergoes while growing. I am very happy that little Chloe decided to spend her day relaxing and playing the piano: no surprise that the day after she was able to work even harder!”.

Featured image:
The illustrated cover of Chloe’s Promise

 

PAOLO ROSSI – How long it lasts a moment

by Stefania Del Monte

He was an idol and was disqualified. He returned and became the Pablito of the Spanish Mundial in 1982. This is, in short, the story of Paolo Rossi who, from 1980 to 1982, from the punishment for football betting to the victory over Germany, lived the two hardest and most exciting years of his life. A fairy tale with a happy ending, imbued with striking successes alternating with lacerating pains, with strong surges and ruinous falls, with dreams come true and deep wounds, with precious awards and injustice. It is the black and white of an exceptional existence, the perfect script of a film that has enchanted generations and continues to be reviewed and relived by the public.

Written in collaboration with the journalist Federica Cappelletti, the book Quanto dura un attimo (How long it lasts a moment) is the autobiography of a boy who has defied fate to become a legend, realising his dream as a child and writing immortal pages of the history of universal football. Of this, and many other things, we speak directly with the protagonist of this extraordinary life: Pablito!

“How long it lasts a moment”: a book written in collaboration with your wife, Federica Cappelletti. How was the idea born?

The idea was born over a coffee. It was a grey morning, it was raining, and the sound of the falling rain reminded me of the cleats that beat on the floor in the tunnel that separated the changing rooms from the Bernabeu Stadium in Madrid. It was the 1982 Spain final: Italy-Germany. I still have chills on my skin. My wife asked me to go ahead with the story and then tell it to the world, in a book, so that it could become everyone’s heritage.

What inspired the title?

The moment has always been my characteristic. For me, it meant anticipating the opponent. Get there first. Score. But the moment is also the happiness I felt in those eternal moments of the World Cup in Spain.

Have you always wanted to be a footballer or did you have other dreams as a child?

My dream was to become a footballer. I had an idol. His name is Kurt Hamrin. He had my characteristics; he was an opportunist on the field. I liked him. But I also thought about being a doctor. Rather, my mom wanted me to be an accountant.

Before turning into legend, your career had undergone several jolts, causing strong reactions from the press of the time to the news of your call to the World Cup in Spain. How did you experience that period before arriving in Iberian land?

I suffered a great injustice in my life. I was disqualified (despite being innocent) for two years for not reporting a teammate and two fixers who wanted to combine a game. The Perugia-Avellino in which I scored two goals: but only because it was what I knew how to do. They paid me to score goals. I scored many. So the call to the World Cup in Spain was meditated by Enzo Bearzot and in the end apt. I repaid the coach for his boundless trust and I’m proud of it.

And what, on the other hand, is the most beautiful memory you have of that extraordinary adventure that was the 1982 world championship?

The team. The coach. The sense of family. Home. The affection I felt by everyone. And then, the three goals in the match against Brazil. I became a legend thanks to them, but they also gave me the strength to start again. And I became the top scorer, world champion, golden shoe and golden ball.

Among others the book is dedicated to Enzo Bearzot. How important was his figure to you?

I owe a lot to Enzo Bearzot, I owe him my rebirth. He knew what I was made of and challenged everyone by proving he was right. He is in my heart, where he will remain forever.

The victory in Spain helped to bring colour back to an Italy that tried at all costs to leave the darkness of the Seventies behind. How did the Italians welcome you on their return?

The return to Italy was a tricolour feast. Italy, with that World Cup, has found confidence, raised its head, the Italians have returned to smiling. Sociologically it was an important victory: one of the most important in history.

Among the legendary companions with whom you had the privilege of playing, was there one to whom you were most attached?

I have been and I am deeply attached to everyone. But Antonio Cabrini and Marco Tardelli remain the closest. Also today.

And the most feared opponent?

Brazil, without a doubt. But only before the final, at least for me!

Your best goal?

The first I scored to Brazil definitely unlocked me. But the others weren’t bad either!

Among the prestigious prizes and awards obtained, which made you happier?

The Golden Ball, certainly. In Italy we are only five to have won it: Omar Sivori in 1961 (born in Argentina but national team at the time of recognition); Gianni Rivera in 1969; then I in 1982, Roberto Baggio in 1993 and Fabio Cannavaro in 2006.

What did you do once you “hung up your boots”?

I am a commentator, I have a resort in Tuscany (in Poggio Cenina), I was a builder, I produce oil and wine. I write books with my journalist wife (laughs).

Do you like today’s football? How much has changed in forty years?

I like today’s football: it’s faster. The changes have been many, profound, starting with the management of cards and players. But rightly so, football is also adapting to modernity.

Do you see yourself in any football player today?

There aren’t many players with my characteristics. Perhaps one who resembles me a bit is Mertens of Napoli.

Do you have any regrets?

None. I did what I wanted to do, I made a dream come true, I won everything there was to win.

Cover: Paolo Rossi and Junior, Italy-Brazil, Spain 1982
visual material courtesy of Paolo Rossi

Click here to read the interview in Italian 

 

advice for reading by The Italian Bookshop

Those who Leave and Those who stay, Elena Ferrante (translated by Ann Goldstein)
Europa Editions

Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante’s fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously.
In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women have attempted are pushing against the walls of a prison that would have seen them living a life of misery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to each other by a strong, unbreakable bond.

 

 

Mr Gwin, Alessandro Baricco (Translated by Ann Goldstein)
McSweeney’s
After celebrated author Jasper Gwyn suddenly and publicly announces that he will never write another book, he embarks on a strange new career path as a “copyist,” holding thirty-day sittings in a meticulously appointed room and producing, at the end, brief but profoundly rich portraits in prose. The surprising, beautiful, and even frightening results are received with rapture by their subjects–among them Gwyn’s devoted assistant, Rebecca; a beautiful fabric importer; a landscape painter; Gwyn’s own literary agent; two wealthy newlyweds; a tailor to the Queen; and a very dangerous nineteen-year-old. Then Gwyn disappears, leaving behind only a short note to his assistant–and the portraits.

 

 

 

ZERO ZERO ZERO, Roberto Saviano (Translated by Virginia Jewiss)
Allen Lane

In Zero Zero Zero, Roberto Saviano maps the international cocaine trade. He investigates the evolution of cocaine trafficking, from Mexican drug cartels to money laundering through Wall Street and the City of London. While tracking cocaine’s physical journey – from South America to the beaches of Miami and the streets of New York, and on to Africa and throughout Europe and even further to China and India – Saviano follows the human trail of users, victims and traffickers.

STEFANO FUGAZZI’S NEW BOOK “BREXIT?”

London – NEW BOOK “BREXIT?” In this new publication Stefano Francesco Fugazzi offers an insight into the main legal and economic consequences of ‘Brexit’. Before the 2015 general election took place, the Conservatives pledged to legislate for a referendum on EU membership to be held by the end of 2017.

Following the election of a Conservative majority government on 7 May 2015, Cameron reiterated that same pledge, suggesting that the referendum could even take place a year before than originally planned.

The government included the referendum proposal in the Queen’s speech on 27 May. Should Britain vote in favour of ‘Brexit’, it would not be the first country to leave Europe, since as far back as 1985 Greenland withdrew from the then European Community (EC) after obtaining a high degree of self-determination from Denmark in 1979. Given Britain’s role and influence in Europe, it would be safe to assume that both litigant parties, namely the UK and the EU, will try to ‘save the marriage’ before coming to the point of splitting up.

 NOW AVAILABLE IN EBOOK AND PAPERBACK FORMATS!

 

 

The author – STEFANO FRANCESCO FUGAZZI graduated in 2003 with a BA in Business Studies. After successfully completing a Master in Strategic Management at the Michael Smurfit Graduate School of Business (University College Dublin) the following year, in 2005 he joined Merrill Lynch before moving to Schroders Private Banking in 2007. In 2011 he completed a course in News Journalism at the London School of Journalism. In 2013 he founded the business news portal ABC Economics. He is the author of “Idee per l’Italia” (2013), “A.B.C. Italia – Abbiamo Bisogno di Crescita” (2014) and “ABC Economipedia” (2015).

Hints for reading by the Italian Bookshop

The Italians, John Hooper

Sublime and maddening, fascinating yet baffling, Italy is a country of endless paradox and seemingly unanswerable riddles. John Hooper’s marvellously entertaining and perceptive new book is the ideal companion for anyone seeking to understand contemporary Italy and the unique character of the Italians. Looking at the facts that lie behind – and often belie – the stereotypes, his revealing book sheds new light on many aspects of Italian life: football and Freemasonry, sex, symbolism and the reason why Italian has twelve words for a coat hanger, yet none for a hangover.

 

 

Childhood memoirs and other stories, Giuseppe Tomasi di Lampedusa

lampedusaGiuseppe Tomasi di Lampedusa, the author of one of the most poignant and enduringly popular novels of the twentieth century, left only a few other pieces of fiction when he died prematurely at the age of sixty. Childhood Memories and Other Stories, here presented in a new translation by Stephen Parkin and including previously deleted passages and the unpublished fragment ‘Torretta’, collects all of Lampedusa’s extant shorter fiction and provides a revealing glimpse into the writer’s workshop and the background to the composition of his masterpiece. From the atmospheric recollections of the Palazzo Lampedusa and the Palazzo Filangeri Cuto at the turn of the twentieth century in ‘Childhood Memories’ to the delightful fable ‘The Siren’, from the gently humorous, bitter sweet tones of ‘Joy and the Law’ to ‘The Blind Kittens’ – the first chapter of what was intended to be a sequel to The Leopard – this volume showcases Lampedusa’s unparalleled ob ser vational powers and narrative skills.

Mr Gwyn, Alessandro Baricco

mr gwynAfter celebrated author Jasper Gwyn suddenly and publicly announces that he will never write another book, he embarks on a strange new career path as a “copyist,” holding thirty-day sittings in a meticulously appointed room and producing, at the end, brief but profoundly rich portraits in prose. The surprising, beautiful, and even frightening results are received with rapture by their subjects–among them Gwyn’s devoted assistant, Rebecca; a beautiful fabric importer; a landscape painter; Gwyn’s own literary agent; two wealthy newlyweds; a tailor to the Queen; and a very dangerous nineteen-year-old. Then Gwyn disappears, leaving behind only a short note to his assistant–and the portraits.

As Rebecca studies his words, she realizes that the mystery is larger than the simple fact of Gwyn’s whereabouts, and she begins to unravel a lifetime’s worth of clues left by a man who saw so much but said so little, a man whose solitude masked a heart as hungry as hers.

http://www.italianbookshop.co.uk/

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Tel. +44 (0)20 7240 1634

 

Marina Warner in conversation with Roberto Piumini and Enrico Palandri

What is a fairy tale? Where do the stories come from? What do they mean? What do they try and communicate to us about morality sexuality and society? Fairytales are more popular than ever: Frozen is the highest grossing animated film of all time, the latest film by one of the most famous Hollywood actresses of today, Angelina Jolie, is Maleficent, a modern take on Sleeping Beauty, while children and adults alike seem to be utterly fascinated by heroines old and new.

Marina Warner, author of Once Upon a Time (Oxford University Press), will talk about these themes with Roberto Piumini, one of the best known Italian authors, who has written fairytales, short and long stories, theatre pieces, poetry and rhymes, lyrics; and with Enrico Palandri, author and Reader of Italian Literature at UCL.

Marina Warner is a novelist, short story writer, historian and mythographer, author of many non-fiction books relating to feminism and myth, including Alone of All sex: The Myth and the Cult of the Virgin Mary; Monuments & Maidens: the Allegory of the Female Form; From the Beast to the Blonde: on Fairy Tales and their Tellers. She is professor in the Department of Literature at Birkbeck College, London, a fellow of All Souls College, Oxford, an honorary Fellow of Lady Margaret Hall Oxford, and Fellow of the Royal Society of Literature and the British Academy. She was made CBE for services to culture in 2008.

Roberto Piumini is a writer of fiction, non-fiction, short stories, TV and radio programmes, playwright, poet and translator. His works are translated in several languages. He is especially well known for his books for children and teen agers– Mattia e il nonno being probably the most famous – in particular his adaptations of classics to make them more accessible to young people. In the course of his career he has been awarded several prizes, including The Premio Cento, the Premio Piero Chiara, The Premio Graziosi. Some of his works have been co-written with renowned author Bianca Pitzorno.

Enrico Palandri is a writer and lecturer, Writer in Residence and Reader in Italian Literature at UCL. He also teaches at Ca’ Foscari in Venice. He has given lectures in many Universities around the UK and in South America, Russia, China and Taiwan. He has written works of fiction, most notably Boccalone, which has been republished several times, as well as short stories, essays and verses. He has co-written the script of the film Il Diavolo in corpo by Marco Bellocchio. He has collaborated with the BBC, RAI and several newspapers and publications.

“A.B.C. Italia (Abbiamo Bisogno di Crescita)”

After publishing “Idee per l’Italia” in 2013, Stefano Fugazzi once again comes to term with Italy’s economic issues in his new work “A.B.C. Italia (Abbiamo Bisogno di Crescita)”. Here the author presents a number of proposals aimed at revamping the economic fortunes of Italy and mainland Europe.

The book – introduced by Antonio Maria Rinaldi, Professor at Gabriele d’Annunzio University of Chieti-Pescara –conveys one simple and straightforward message: halting Italy’s economic decline is possible provided that Europe’s policymakers take a firm stand in solving the area’s long standing monetary and political deficiencies.

“As nowadays most policies are designed in Brussels – observes the author of “A.B.C. Italia” – it would make sense for the European Union to fine-tune the mechanisms which have so far prevented the Eurozone from becoming an optimal currency area. The aim is to ensure that the monetary area acts in the best interest of its constituting elements i.e. its citizens and enterprises. If this simple objective cannot be achieved then domestic policy makers won’t be able to pursue reforms and thus promote the sustainable development of Europe”.

After explaining the anomalies and deficiencies which have affected the region for most of the past two decades, the author presents a series of measures aimed at revitalising the European and the Italian economies. “The goal of this short but intense book – explains Stefano Fugazzi – is to throw a stone into the pond of institutional inertia, illustrating some of the most significant measures of economic policy which could be articulated to end the worst crisis in Italian history since World War II”.
In “A.B.C. Italia” the author illustrates a range of proposals aimed at salvaging Italy’s SMEs, highlighting how any policy decision taken by the ECB, if correctly calibrated, could assist the economic rebirth of the Nation; however the author notes that his Country needs also to simultaneously address a number of endogenous issues which originate from the pre-monetary union days.
Fugazzi’s latest publication gives the reader an interesting insight on what needs to be done to kick-start the economic reconstruction of the Italian Nation. The proposals contained in “A.B.C. Italia” are not only limited to provide Italy and Europe with a quick fix solution, but to ensure that the entire region remains one of the cultural and strategic epicentres of the Developed World.

***
A.B.C. Italia (Italia, Abbiamo Bisogno di Crescita) is available in both paperback and digital formats – Recommended retail price: Eur 6,40 / GBP 5,00:
Paperback – ISBN 9781291943238 – Link: http://www.lulu.com/shop/stefano-fugazzi/abc-italia-italia-abbiamo-bisogno-di-crescita/paperback/product-21718346.html

eBook – ISBN 9781291953961 – Link: http://www.lulu.com/shop/stefano-fugazzi/abc-italia-italia-abbiamo-bisogno-di-crescita/ebook/product-21719750.html

D.H. Lawrence’s ideal portrait: the new Richard Owen’s book

Yesterday, on 8th July, the Italian Culture Institute in London opened the doors to the presentation of Richard Owen’s new book, “Lady Chatterley’s villa. D. H. Lawrence on the Italian Riviera”, where he tries to draft «a modern biography and an ideal portrait» – as the professor Benedetta Bini said – of David Herbert Lawrence, an English novelist and poet, lived between the last XIX century and the early XX century. In particular, Richard Owen, correspondent in Rome for The Times for 15 years, focuses his attention on the attractive figure of Lady Chatterley, considered in the former years as one of literature’s very British character. But, Lady Chatterley was in fact Italian: Owen was able to prove that D. H. Lawrence’s provocative Connie was based on his publisher’s Italian wife, Rina Secker, so that when D. H. Lawrence’s German wife, Frieda, met Rina during a London party, she told her: ”You are Lady Chatterley”.

When I asked Owen how he got familiar with D.H.Lawrence, without hesitation he replied: «Firstly, because I attended University at Nottingham in the Sixties and I was aware of him as a Nottingham writer. After this, I didn’t forget about him, but I continued to be interested in him, because he was the big brother of my life and when I lived in Italy for 15 years, I wrote about him. The letters I got from the daughter in law of Martin and Rina Secker renewed my interest in Lawrence. Secondly, I knew something about Liguria, because my family went for many years to Alassio on holiday. So, I knew a lot about English colonies in XIX century, when D. H. Lawrence was there.»
Lawrence had already used Rina Secker as the muse for Juliet in his short story “Sun”, in which a young woman holidaying alone in Italy experiences erotic fantasies about a local peasant farmer.

As Benedetta Bini explained, the character of Lady Chatterley was born in Italy, exactly in Spotorno (near Savona, in Liguria), when, Lawrence, after the traumatic experience of the years war, in 1919, began his “savage pilgrimate”, a time of voluntary exile in Italy. He escaped from Great Britain and spent with his wife the remainder of his wife travelling: he visited Australia, Italy, Ceylon, the United States, Mexico and the South of France.

But, he loved so much Italy, that he spent lots of time along the “Saturnia tellus”: he went from the Southern part to the Northern part of Italy, visiting Florence, Spotorno (where Freida’s father held an hotel), Alassio (he didn’t like it) Abruzzo (that D. H. Lawrence liked very much because was as cold as Great Britain), Capri, , Taormina, Sardinia. The professor Bini underlined several time the special relationship between Lawrence and Italy: in fact she said «Was the Italian culture, the language and open-minded Italian people that fascinated him.

He was different from the other English, who lived during the same period in Italy. He was anti-snobbish, he fell in love with Italy.» So, when in the public a listener stood up, asking if Lawrence knew the Italian Literature and appreciated it, the replay was almost predicted; effectively, his rapport with Italian writers has been vivid and he was an Italian book’s translator in English.

We know Richard Owen as journalist and as the Rome correspondent for The Times, and in this book he realized an important document of a piece of English history, hardly woven to Italian history, showing that there is no borderline to the development of ideas, culture and feelings.

During The Age of Reason (XVIII century) people left their country for Italy, where they could find the culture’s cradle out…in the same way, Lawrence in 1919 left Great Britain to restore the right order, after the war and to find himself.

The book is distributed for Haus Publishing and «This exploration of a little-studied, but crucial period of the writer’s life will be a must for Lawrence’s many fans.» Serena Olivieri L’Italoeuropeo

Cover book “Lady Chatterley’s Villa, D.H. Lawrence on the Italian Riviera. By Richard Owen

London Book Fair 2014

Every year in April in Earls Court (London) takes place the annual fair of the book, a meeting of the publishing and cultural market open to the public. This year, it has closes the doors the last Tuesday.

The London Book Fair is the best occasion to know a little about the publishing world; it is the global marketplace for rights negotiation and the sale and distribution of content across print, audio, TV, film and digital channels.
At The London Book Fair the entire publishing industry has been represented, with over 1500 stand from all countries of the world.
A huge amount has participated. It could be the company that can convert your book to digital, the seminar that reveals a new approach to marketing, the future-gazing presentation that transforms your strategy. But the fair could be also just a good way to spend a different day to approach to the books’ world.
Like each great event, putting people together and creating the spaces for people to make connections is the purpose of The London Book Fair.

The events program included industry awards, author interviews, showcases and much more.
It has been very interesting the conference held at the Nigerian stand: in fact, Port Hancourt in Nigeria has been the World Book Capital in 2014. The title is awared annualy by UNESCO to a city in recognition of the quality of its programs to promote the dissemination of books and encourage reading. Incheon, in South Korea, will be the next.
For the 2015 a new is planned: the fair, usually located in Earls Court, will take place at Olympia, the exhibition and conference centre in West Kensington.

 

[photo www.smithpublicity.com]

Reading advices for London’s nostalgic

After a very warm summer, unusual for London’s weather, autumn is coming with
its first rains and its lower temperatures.
It is the perfect time to plan new autumnal trips or simply to store summer
clothes and read a good book.

Inspired by this atmosphere, we decided to give you our reading advices, dedicated to all tourists and travelers who visited London in last weeks and in these times of returns are feeling nostalgic for this wonderful city; but they are also perfect for everyone still has to leave for London, for a late but just relax, and is packing right now.
In both cases, reading these books will give you back (or will anticipate) a little bit of London and its charm. Some books, some novels, have the power to show new things about places in which they are set, even if readers are from the same place the novelist is writing about. So, if you are from here, keep on reading and let us know. Here are our reading advices:

 

 

 

 

 

“Mr Gwyn”, by Alessandro Baricco
An intimist Italian novel. Its main character is a writer: Mr Gwyn.
The story begins with a letter written by Mr Gwyn and published by the well-known English newspaper “The Guardian”. It contains a list, with 52 things the man does not want to do anymore. One of 52 is just writing.
A sensitive story, mental and poetic as most Baricco’s stories. It is set in a contemporary London, interesting scenery for a tale made by internal, microscopic emotional shifts and based on an unforgettable, original writing.

 

cover3“NW”, by Zadie Smith
An internal point of view about UK’s capital city, by the young and widely estimated English writer of “White Teeth”. A novel which shows us a London told just from NW: which means North West, title of this book and emblem of suburbs, places and stories which often escape by traditional tales of a city, of a place.
Zadie Smith’s novel is epic and contemporary at the same time. It builds a London sometimes cruel, sometimes breathtaking, through a writing which is one of the most powerful strength of the story.

 

“London”, by Damian Harper, Steve Fallon, Emilie Filou and Sally Shafer
Published by Lonely Planet, this reading advice is not dedicated to a novel. It is “simply” about a book, a guide, but for its careful shape, for the good writing and for its narrative layout, it deserves to be your closest companion during your London’s visit.
Every worthy traveler needs a guide to study and plan, to spend time in the best possible way, but this guide specifically can accompany you as a story can do, in a very narrative way.
Treasure of this precious voice which will accompany you, step by step, and do not forget to crumple it, to underline it and to fill it with your notes. Just like books, also guides are better if they look lived.

 

cover 2

 

 

Complete works of Charles Dickens
Making a choice among Dickens’s works is hard. Everything you decide to read is a right reading to live London’s ancient atmosphere.
If you want humor (“The Posthumous Papers of the Pickwick Club”), as if you prefer one of his social novels (“Oliver Twist”, “David Copperfield”, “Hard Times: For These Times”), Dickens is one the landmark of the whole English literature, so, any choice you will do, you will not be wrong. But if you prefer having an opinion, an advice, well, be aware that reading once more “A Christmas Carol” is always moving, each times as the first one. So, do not forget to consider it, while you chose your next story to read, among our reading advices.